This episode’s ranking music is “Here We Come A-Caroling” as performed by the Sesame Street gang.
Thank you to Liam for these requests!
This week, we tackle a pair of punk-adjacent requests from listener Kevin. “Feliz Navi-nada” by El Vez is, despite the title, a joyful reimagining of the Jose Feliciano original, and “X’mas Time (It Sure Doesn’t Feel Like It)” by The Mighty Mighty Bosstones is an extremely sad and also surprisingly nostalgic experience.
The ranking music this week is “The Impression That I Get” by the aforementioned Bosstones.
Thanks again to Kevin for the requests!
RJ and Ian are back, and just in time for Halloween! This week, in our annual spooky episode, we tackle our first Halloween winter song (and also revisit the world of Homestar Runner) with “Decomposing Pumpkins” by Brainkrieg. Then, we discuss “It’s Halloween (A Christmas Song)” by Randy Brooks, as well as the troubling revelation that the man responsible for bringing “Grandma Got Run Over by a Reindeer” into the world might also be funny sometimes, the implications of which we’re not even remotely prepared to consider.
This week’s ranking music was “Ghostbusters” by Ray Parker Jr. and the special intro and outro music was “I Put a Spell on You” by Screamin’ Jay Hawkins.
This week on HARK, it’s Canadian Thanksgiving, and while we’re always thankful for all of our listeners, we’re feeling particularly thankful for the ones who live north of the U.S. border. To celebrate, we cover two songs suggested by a long-time Canadian listener making his first request. “Jacob Marley’s Chain” by Aimee Mann is interesting, if only vaguely Christmas-related, and “Jack Gets Up” by Leo Kottke is perhaps even more interesting (and perhaps even less Christmas-related).
The ranking music this week is “Springtime” by Jeffrey Lewis.
Thank you to Ben for the requests!
This week on HARK, we tackle two requests for which the requester provided very little context. The resulting episode includes discussions about mass incarceration and toothpaste jingles. “Everybody Deserves a Merry Christmas” by Ronnie Fauss is a type of twangy jailhouse rock, and “I’d Like You for Christmas” by Julie London has old-timey musical theatre vibes. You can guess which one prompted which discussion.
Thanks again to Brenda for the requests!