We’re still in Japan, celebrating our anniversary, and this episode is all about love! I mean, and holiday music, because that’s the show. Two winter love songs help us mark the occasion – “Love In December” by Club 8 and “Warm In December” by Julie London.
This week’s ranking music is “Sea Urchins” by Yo La Tengo.
Greetings from Japan! We recorded this episode early because we’re currently on our long-anticipated vacation in Tokyo, and we picked songs to suit the occasion. We journey from Canada to Japan with “Last Christmas (English/Japanese Version)” by Gunnarolla featuring Micaela Braithwaite and then just have a real nice time – you know, it’s just nice – with “Sweet Christmas” by Shonen Knife.
This week’s ranking music is “Party Hard” by Andrew WK, and this episode also features clips of “Canon in D (Pachelbel’s Canon)” performed by Marnie and Patrick Laird and “Triangle Foods” by Gunnarolla.
Knock knock! In this week’s episode, we celebrate the ancient tradition of wassailing with two listener requests – “Here We Come A-Wassailing” as performed by Kate Rusby and “The Wassailing Song” as performed by Blur.
This episode’s ranking music is “Here We Come A-Caroling” as performed by the Sesame Street gang.
This week, we tackle a pair of punk-adjacent requests from listener Kevin. “Feliz Navi-nada” by El Vez is, despite the title, a joyful reimagining of the Jose Feliciano original, and “X’mas Time (It Sure Doesn’t Feel Like It)” by The Mighty Mighty Bosstones is an extremely sad and also surprisingly nostalgic experience.
The ranking music this week is “The Impression That I Get” by the aforementioned Bosstones.
IT’S RJ’S BIRTHDAY AND THEY’LL ALL-CAPS IF THEY WANT TO
That’s right, it’s Birthday Boi’s Choice once again, and RJ has selected two songs that we’ve discussed before… but only behind a paywall. John Legend’s 2018 original “Bring Me Love” is a strong contender for a new Christmas radio standard, and Sia’s 2017 album closer “Underneath the Christmas Lights” is an ethereal experience to savor.
RJ and Ian are back, and just in time for Halloween! This week, in our annual spooky episode, we tackle our first Halloween winter song (and also revisit the world of Homestar Runner) with “Decomposing Pumpkins” by Brainkrieg. Then, we discuss “It’s Halloween (A Christmas Song)” by Randy Brooks, as well as the troubling revelation that the man responsible for bringing “Grandma Got Run Over by a Reindeer” into the world might also be funny sometimes, the implications of which we’re not even remotely prepared to consider.
This week’s ranking music was “Ghostbusters” by Ray Parker Jr. and the special intro and outro music was “I Put a Spell on You” by Screamin’ Jay Hawkins.
By request, we’re covering two songs that feel like experiments. “Why Can’t It Be Christmastime All Year” by Rosie Thomas feels like a blend of Christmas music conventions tweaked and polished into uncanny twee perfection, while “Grandma Got Run Over by a Reindeer” by Rhan Wilson is a shambling nine-minute-forty-five-second abomination.
This week on HARK, it’s Canadian Thanksgiving, and while we’re always thankful for all of our listeners, we’re feeling particularly thankful for the ones who live north of the U.S. border. To celebrate, we cover two songs suggested by a long-time Canadian listener making his first request. “Jacob Marley’s Chain” by Aimee Mann is interesting, if only vaguely Christmas-related, and “Jack Gets Up” by Leo Kottke is perhaps even more interesting (and perhaps even less Christmas-related).
The ranking music this week is “Springtime” by Jeffrey Lewis.
As we did last week, we’re adding two more Hanukkah songs to our list – but this time we’re contemplating some more solemn selections. “Light the Lamp” by Emily Kurn is a folk tribute to family connections, while “Chanukah Prayer” by Carole King offers tradition mixed with atmospheric jazz.
The ranking music this week is “Eight Candles (A Song for Hanukkah)” by Dave Koz.
Shanah Tovah! The High Holy Days are here, and as per tradition, we’re adding some Hanukkah tunes to our list. We appreciate the sophisticated indie-rock elements of “I Won’t Be Home for Chanukah” by TeamMate, such as the claps, and the beep-boops – and while “(When is) Hanukkah This Year” by Mêlée may have a catchy hook, it asks more questions than it answers.